![]() Bach, from which he gained his earliest acquaintance with the principles of musical structure. A few friends lent him money and found him pupils, and in this way he was enabled to enter upon a rigorous course of study (he is said to have worked for sixteen hours a day), partly devoted to Johann Joseph Fux's treatise on counterpoint, partly to the "Friedrich" and "Württemberg" sonatas of C. In 1749 his voice broke, and the director, Georg von Reutter, took the occasion of a boyish escapade to turn him into the streets. Stephens, Vienna, where he took the solo-part in the services and received, at the choir school, some further instruction on the violin and the harpsichord. In 1740, on the recommendation of the Dean of Hamburg, Haydn obtained a place in the cathedral choir of St. ![]() This attracted the attention of a distant relative named Johann Mathias Frankh, who was schoolmaster in the neighboring town of Hamburg, and who, in 1738, took the child and for the next two years trained him as a chorister. He received the first rudiments of education from his father, a wheelwright with twelve children, and at an early age evinced a decided musical talent. ![]() There is sufficient evidence that his family was of Croatian stock: a fact which throws light upon the distinctively Slavonic character of much of his music. 102 in B-flat MajorĪustrian composer, born on the 31st of March 1732 at Rohrau (Trstnik), a village on the borders of Lower Austria and Hungary. He was a man of great physical energy and endless curiosity, although when he left the full-time employ of the Esterházy family in 1790, it was assumed that the 58-year-old Haydn, no spring chicken by the standards of the day, would take a quiet retirement.Remains: Buried, Bergkirche, Eisenstadt, AustriaĮxecutive summary: Symphony No. But even more than that, Haydn’s personal musical voice, his personal musical style – his particular blend of humor and seriousness, of intellect and emotion – has come to be known by the generic designation as the “Viennese Classical style.” It is a tribute to the originality, technical brilliance, and sheer number of Haydn’s compositions that they were and remain the standard by which we measure all the other music of his time. For all intents-and-purposes, Haydn did indeed “invent” what today we consider the genres of string quartet (of which he composed 68) and symphony (of which he composed at least 104!). They called him “Papa” not because he was “old” or “conservative” but because he was a good, kind, and fair-minded boss who made the needs of his musicians a top priority.īut more than just a good man, the short, hook-nosed, pock-marked, ever-smiling, ever-genial Haydn also turned out to be one of the most stunningly original and exquisitely talented composers to ever grace our planet. It was while working for the Esterházys and still in his thirties that Haydn was given the nickname of “Papa” by the grateful musicians who worked for him. He remained the Esterházy Kapellmeister until 1790. Warner died in 1766, at which point Haydn was promoted to the top spot, Kapellmeister. Assistant or no, Haydn directed most of the musical activities for the court, as the elderly Kapellmeister Gregor Warner was responsible only for the court’s church music. His position was that of Vice-Kapellmeister – assistant music director – of the Esterhazy musical establishment. He slowly climbed the Viennese musical ladder and in 1761 – at the age of 29 – took up a position with the Esterházy family, a fabulously wealthy family of Hungarian nobles.
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